Poetry

Charles Baudelaire characterized le flâneur as a "gentleman  stroller of city streets," he saw le  flâneur as one who portrayed from the outside and participated in the life of the city. While remaining a detached observer, le flâneur played a role in the cityscape. His stance was simultaneously part of and apart from the relationship between the individual and the greater populace. 

On Photography

(A modern) application of le flâneur (is) to street photography (and) comes from Susan Sontag in her 1977 essay, On Photography. She describes how, since the development of hand-held cameras in the early 20th century, the camera has become the tool of le flâneur:

"The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flâneur finds the world 'picturesque.'"

After the Wikipedia entry.

Pomes Penyeach
by James Joyce
 
 
Tilly

He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.

The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.

Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!
 
 
Watching the Needleboats at San Sabba
 
I heard their young hearts crying
Loveward above the glancing oar
And heard the prairie grasses sighing:
No more, return no more!

O hearts, O sighing grasses,
Vainly your loveblown bannerets mourn!
No more will the wild wind that passes
Return, no more return.

 
A Flower Given to My Daughter

Frail the white rose and frail are
Her hands that gave
Whose soul is sere and paler
Than time's wan wave.

Rosefrail and fair-- yet frailest
A wonder wild
In gentle eyes thou veilest,
My blueveined child.
 

She Weeps over Rahoon

Rain on Rahoon falls softly, softly falling,
Where my dark lover lies.
Sad is his voice that calls me, sadly calling,
At grey moonrise.

Love, hear thou
How soft, how sad his voice is ever calling,
Ever unanswered and the dark rain falling,
Then as now.

Dark too our hearts, O love, shall lie and cold
As his sad heart has lain
Under the moongrey nettles, the black mould
And muttering rain.

 
Tutto è sciolto

A birdless heaven, seadusk, one lone star
Piercing the west,
As thou, fond heart, love's time, so faint, so far,
Rememberest.

The clear young eyes' soft look, the candid brow,
The fragrant hair,
Falling as through the silence falleth now
Dusk of the air.

Why then, remembering those shy
Sweet lures, repine
When the dear love she yielded with a sigh
Was all but thine?

 
On the Beach at Fontana

Wind whines and whines the shingle,
The crazy pierstakes groan;
A senile sea numbers each single
Slimesilvered stone.

From whining wind and colder
Grey sea I wrap him warm
And touch his trembling fineboned shoulder
And boyish arm.

Around us fear, descending
Darkness of fear above
And in my heart how deep unending
Ache of love!

 
Simples

        O bella bionda,
        Sei come l'onda!

Of cool sweet dew and radiance mild
The moon a web of silence weaves
In the still garden where a child
Gathers the simple salad leaves.

A moondew stars her hanging hair
And moonlight kisses her young brow
And, gathering, she sings an air:
Fair as the wave is, fair, art thou!

Be mine, I pray, a waxen ear
To shield me from her childish croon
And mine a shielded heart for her
Who gathers simples of the moon.

 
Flood

Goldbrown upon the sated flood
The rockvine clusters lift and sway.
Vast wings above the lambent waters brood
Of sullen day.

A waste of waters ruthlessly
Sways and uplifts its weedy mane
Where brooding day stares down upon the sea
In dull disdain.

Uplift and sway, O golden vine,
Your clustered fruits to love's full flood,
Lambent and vast and ruthless as is thine
Incertitude!

 
Nightpiece

Gaunt in gloom
The pale stars their torches
Enshrouded wave.
Ghostfires from heaven's far verges faint illume
Arches on soaring arches,
Night's sindark nave.

Seraphim
The lost hosts awaken
To service till
In moonless gloom each lapses, muted, dim
Raised when she has and shaken
Her thurible.

And long and loud
To night's nave upsoaring
A starknell tolls
As the bleak incense surges, cloud on cloud,
Voidward from the adoring
Waste of souls.

 
Alone

The noon's greygolden meshes make
All night a veil,
The shorelamps in the sleeping lake
Laburnum tendrils trail.

The sly reeds whisper to the night
A name-- her name-
And all my soul is a delight,
A swoon of shame.


A Memory of the Players in a Mirror at Midnight

They mouth love's language. Gnash
The thirteen teeth
Your lean jaws grin with. Lash
Your itch and quailing, nude greed of the flesh.
Love's breath in you is stale, worded or sung,
As sour as cat's breath,
Harsh of tongue.

This grey that stares
Lies not, stark skin and bone.
Leave greasy lips their kissing. None
Will choose her what you see to mouth upon.
Dire hunger holds his hour.
Pluck forth your heart, saltblood, a fruit of tears.
Pluck and devour!

 
Bahnhofstrasse

The eyes that mock me sign the way
Whereto I pass at eve of day.

Grey way whose violet signals are
The trysting and the twining star.

Ah star of evil! star of pain!
Highhearted youth comes not again

Nor old heart's wisdom yet to know
The signs that mock me as I go.

 
A Prayer

Again!
Come, give, yield all your strength to me!
From far a low word breathes on the breaking brain
Its cruel calm, submission's misery,
Gentling her awe as to a soul predestined.
Cease, silent love! My doom!

Blind me with your dark nearness, O have mercy, beloved enemy of my will!
I dare not withstand the cold touch that I dread.
Draw from me still
My slow life! Bend deeper on me, threatening head,
Proud by my downfall, remembering, pitying
Him who is, him who was!

Again!
Together, folded by the night, they lay on earth. I hear
From far her low word breathe on my breaking brain.
Come! I yield. Bend deeper upon me! I am here.
Subduer, do not leave me! Only joy, only anguish,
Take me, save me, soothe me, O spare me!

In 1983, while living on Avenue A at 12th Street, right around the corner from a 5 floor walk-up that was called "The Poet's Building" because, among other poets, Allen Ginsburg & Peter Orlovsky lived there, I hung out at Saint Mark's Church in-the-Bowery where The Poetry Project had readings on Monday & Wednesday nights; other nights of the week I might be found at the bar of Paul's Lounge, 3rd Ave & 10th St, watching the Yankees on projection TV and listening to the jukebox.

Joey Ramone lived over Paul's.  When the Ramones were not playing at CBGB or another punk venue, Joey  would come down and take a table on the side.  The  jukebox was silent, the bartender slid several red quarters across the bar, my first selection was Billie Jean.  Hearing the base line, Joey looked up from his beer and stared at me with a look that said you dumb fuck.

Rocking Robin, the Jackson Five—Michael "tweets" in 1972. 

Henry died at home on May 6, 1862.  His aunt asks him if he had made peace with God.  He tells her he did not know that they had quarreled.

After Robert Sullivan, The Thoreau You Don't Know, 2009.

Sheep like Pablo Neruda and Walking Around:   

It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.

The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.

It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.

Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.

I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.

I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.

That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.

And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.

There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.

I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.

Translated by Robert Bly

When I hear the word pandemic, I frequently think of Guillaume Apollinaire and his poem Zone, considered one of the greatest poems of the 20th century; it has not aged much in 100 years, it reads as if it were written the day before yesterday. 

In the translation below (found on the web and uncredited) I changed the celebrated last line back to the original French as it is untranslatable; it does mean as many things as it doesn't mean in any language and you must go with it to trust the author and trust yourself..

Zone

You are weary at last of this ancient world

Shepherdess O Eiffel tower whose flock of bridges bleats at the morning

You have lived long enough with Greek and Roman antiquity

Here even automobiles look old
Only religion stays news religion
As simple as hangars at the airfield

Alone in Europe you Christianity are not antique
The one modern European is you Pope Pius X
And you whom windows watch what shame keeps you
From entering a church and confessing your sins this morning
Handbills catalogues advertisements that sing overhead
Furnish your morning's poetry for prose there are newspapers
Dime detective novels packed with adventure
Biographies of great men a thousand and one titles

This morning I saw a fine street whose name slips my mind
New and bright the sun's clarion
Where executives and workers sweet stenographers
Hurry every weekday dawn and dusk
Three times a morning sirens groan
A choleric bell barks at noon
Billboards posters and
Doorplates twitter like parakeets
There is charm to this Paris factory street
Between rue Aumont-Thiéville and the avenue des Ternes

Here is the young street and you still a baby
Dressed by your mother only in blue and white
A pious child with your oldest friend René Dalize
You like nothing so much as church ceremonies
Nine o'clock the gas turns blue you slip out of bed
To pray all night in the school chapel
While an eternal adorable amethyst depth
Christ's flaming halo revolves forever
He is the lovely lily we all worship
He is the red-haired torch no wind may blow out
Pale and scarlet son of the sorrowful mother
Tree hung with prayer
Twofold gallows of honor and eternity
Six-pointed star
God who dies Friday and rises on Sunday
Christ who flies higher than the aviators
And holds the world's record

Christ pupil of the eye
Twentieth pupil of the centuries he knows his business
And changed to a bird this century ascends like Jesus
Devils in hell raise their heads to stare
They say it imitates Simon Magus in Judea
They say if it lifts to call it a lifter
Angels soar past the young trapeze artist
Icarus Enoch Elijah Apollonius of Tyana
Hover near the original airplane
Or give place to those whom the Eucharist elevates
Priests rising continuously as they raise the Host
At last the plane lands with wings outspread
Through heaven come flying a million swallows
At full speed crows owls falcons
Ibises flamingoes storks from Africa
Roc so celebrated in song and story
Clutching Adam's skull the original head
Eagle from the horizon pounces screaming
Hummingbird arrives from America
From China long supple phis
Who have only one wing and fly in couples
Here comes the dove immaculate spirit
Escorted by lyrebird and ocellated peacock
That funeral pyre the phoenix engendering himself
Momentarily veils all with his ardent ash
Sirens quit their perilous perches
And arrive each singing beautifully
Everyone eagle phoenix phis
Fraternizes with the flying machine

Now you stride alone through the Paris crowds
Busses in bellowing herds roll by
Anguish clutches your throat
As if you would never again be loved
In the old days you would have turned monk
With shame you catch yourself praying
And jeer your laughter crackles like hellfire
Its sparks gild the depths of your life
Which like a painting in a dark museum
You approach sometimes to peer at closely

Today in Paris the women are bloodstained
It was as I would rather forget it was during beauty's decline

From fervent flames Our Lady gazed down on me in Chartres
Your Sacred Heart's blood drowned me in Montmartre
I am sick of hearing blessed words
My love is a shameful disease
You are sleepless anguished but possessed by an image
Which hovers never distant

By the Mediterranean
Under lemon trees that flower the year long
You take ship with friends
One from Nice one from Menton two from La Turbie
Terrified we see in the depths giant squid
And fish the Savior's symbols gliding through seaweed

In a tavern garden near Prague
You are content instead of writing your stories
To watch a rose on the table and
A rosebug asleep in the rose's heart

Agahst you trace your likeness in the mosaics at Saint Vitus
And that day almost died of grief to see yourself portrayed
As Lazarus distracted by daylight
The hands of the ghetto clock run backward
You also creep slowly backward through life
Climbing to the hradchen listening at twilight
To Czech songs from the taverns

You in Marseilles among piles of watermelons

You in Coblenz at the Giant's hotel

In Rome sitting under a Japanese medlar tree

In Amsterdam with a girl you find pretty but who is ugly
And engaged to a student from Leyden
One can rent rooms there in Latin Cubicula locanda
I remember three days there and three at Gouda

You are in Paris arrainged before the judge
Arrested like a criminal

You went on sad and merry journeys
Before growing aware of lies and old age
Love made you unhappy at twenty again at thirty
I have lived like a fool and wasted my youth
You no longer dare examine your hands and at any moment I could weep
Over you over her whom I love over all that has frightened you

With tears in your eyes you see the shabby refugees
Who have faith in God and pray the mothers nurse their children
Their smell fills the waiting room at the gare St. Lazare
Like the three kings they believe in a star
Hoping to strike it rich in Argentina
And return home wealthy
One family carries a crimson quilt as you your heart
Quilt and our dreams are equally unreal
Some of these refugees stay on and lodge
In slums on the rue des Rosiers or the rue des Écouffes
They keep close to home like chessmen
And are mostly Jewish their wives wear wigs
Pallid they sit at the back of little shops

You stand at the counter of a dirty bar
Taking a café for two sous among the wretched

You are in a huge restaurant at night
These women are not evil only careworn
Each has tortured her lover even the ugliest

Who is the daughter of a Jersey policeman

Her hands which I had not noticed are calloused and cracked

Pity fills me for the scars on her belly

Now I humble my mouth to a poor creature with a horrible laugh

You are alone morning comes
Milkmen clink bottles along the street

Night leaves like a lovely Métive
Ferdine the false or watchful Lea

You sip a liquor as burning as your life
Your life you drain like an eau-de-vie

And stride home to Auteil
To sleep among your fetish from Oceania or Guinea
Other forms of Christ and other faiths
Lesser Christs of dim aspirations

Adieu Adieu

Soleil cou coupé

Alcools 1913, Guillaume Apollinaire

Apollinaire died of Spanish Flu in the 1918 pandemic that killed an estimated 100 million people.  He was 38.

Music

If I rest for a moment near The Equestrian
pausing for a liver sausage sandwich in the Mayflower Shoppe,
that angel seems to be leading the horse into Bergdorf's
and I am naked as a table cloth, my nerves humming.
Close to the fear of war and the stars which have disappeared.
I have in my hands only 35c, it's so meaningless to eat!
and gusts of water spray over the basins of leaves
like the hammers of a glass pianoforte. If I seem to you
to have lavender lips under the leaves of the world,
I must tighten my belt.
It's like a locomotive on the march, the season
of distress and clarity
and my door is open to the evenings of midwinter's
lightly falling snow over the newspapers.
Clasp me in your handkerchief like a tear, trumpet
of early afternoon! in the foggy autumn.
As they're putting up the Christmas trees on Park Avenue
I shall see my daydreams walking by with dogs in blankets,
put to some use before all those coloured lights come on!
But no more fountains and no more rain,
and the stores stay open terribly late.

Frank O'Hara, Lunch Poems, 1964

Note: if you stand on 5th Avenue at 60th Street and look south toward the Plaza you'll see the angel the way Frank saw it.